Sir Percival

Sir Percival is the great “also-ran” of Arthurian legend: his claim to fame is that he got really close to finding the Holy Grail, but ultimately failed in the quest. (The honor of finding and recovering the Grail went to Sir Galahad.) As with all Arthurian legends, different chroniclers have written different variations of his story, but a basic version might go something like this:

Percival was brought up by his mother in a forest, ignorant of the ways of arms and chivalry. When he was a teenager, a party of Round Table knights passed through the forest, and Percival begged to be allowed to join them. He went off to Camelot and became a knight of King Arthur’s court. While journeying around England on the Grail Quest, Percival came upon the castle of Corbenic, presided over by the Fisher King, who suffered from an un-healable wound in his thigh. (Note that in French, “pecheur” means both fisher and sinner.) That night, Percival witnessed the King’s attendants engage in an elaborate procession of mystical objects, including a bleeding lance and a golden grail. Percival was very curious about the meaning of this procession but, having been taught that it’s rude to ask too many questions, remained silent. The next morning, Percival learned that the Fisher King’s grail was indeed the Holy Grail, and if that he had only asked about its purpose, he would have healed the king’s wound. Much later and after much adventuring, Percival was able to lead two other knights, Sir Bors and Sir Galahad, back to Corbenic Castle. Galahad, being the holiest and purest of all King Arthur’s knights, finally succeeded in obtaining the Grail.

Of her play about Sir Percival, Marissa Skudlarek writes, “I didn’t know much about Sir Percival before this year’s Olympians Festival, and at first, I didn’t think his story would resonate with me. I enjoy writing smart, neurotic, over-thinky characters, but Percival is often portrayed as a naïve simpleton. However, when I read the bit where Percival fails to recover the Holy Grail because he’s been told that it’s rude to ask questions, something clicked with me. I think many people, particularly women, can relate to the idea of failing to achieve a long-held dream because they are afraid of being perceived as nosy, or ignorant, or rude.”

SIR PERCIVAL by Marissa Skudlarek
Directed by Nara Dahlbacka
Staged Reading on November 20, 2019 at The EXIT Theatre

After taking a break from writing for the Olympians Festival in 2018, Marissa Skudlarek is thrilled to be back! Her past Olympians commissions include the full-length drama Pleiades in 2011, the screenplay Aphrodite, or the Love Goddess in 2012, and the shorter plays Teucer and Laodike in 2013; The Dryad of Suburbia in 2014; Tethys, or You’ll Not Feel the Drowning in 2015; Macaria, or The Good Life in 2016; and Carmenta, or Songs for Amazing Comet Girls in 2017. Several of these plays have also gone on to further productions or development. You’ll Not Feel the Drowning was selected for Custom Made Theatre’s Undiscovered Works program and received a workshop production at the EXIT Theatre in April 2017. Macaria also received a reading from Custom Made in December 2018. The Dryad of Suburbia was produced in PianoFight’s 2016 ShortLived competition, and Pleiades received a full production in San Francisco in August 2014 and has been published in Heavenly Bodies, an anthology of Olympians Festival plays. Marissa’s other full-length plays include Juana, or The Greater Glory (Loud & Unladylike Festival staged reading, 2016), Deus ex Machina (Young Playwrights Festival National Competition winner, 2006), Marginalia, and The Rose of Youth (Marilyn Swartz Seven Award and Vassar College production, 2008; EXIT Theatre staged reading, 2013). Her shorter plays and translations have been produced by PianoFight, San Francisco Theater Pub, Un-Scripted Theatre, Wily West Productions, and the San Francisco One-Minute Play Festival. She is an occasional contributor to American Theatre‘s website and, from 2012 to 2016, she wrote a twice-monthly column for the San Francisco Theater Pub blog. For more, visit marissaskudlarek.com, or follow her on Twitter @MarissaSkud.